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Archive for July, 2008

Tenali Rama: Arrival in Vijaya Nagar

Posted by kathavarta on July 31, 2008

Tenali was mischievous during his childhood. His childishness cheered some and troubled some. His activities were pleasure to some and humiliation to others. Once, while Tenali was pursuing his academics, the provincial ruler visited the school as part of checking the standards of the school.

He questioned the children in the classroom, “Who among you is the most intelligent?”

Silence spread in the class. No child dared to give reply to the King’s question. Meanwhile, Tenali sprung up from his seat and answered with confidence, “I am the intelligent student in the class.” The King appreciated Tenali’s confidence and courage. Calling him closer, the King enquired him about several things and blessed him, “You will go places my child.”

Similarly, Tenali grew big and made his presence felt in history.

Tenali practised poetry and composition along with command on language and grammar. Mingling with a group of minstrels, he learnt the art of spontaneous poetry composing techniques at Tenali.

He made himself a perfectionist in Sanskrit and Telugu (Andhra) languages. Gradually, in the natural process of growing up, he was married and was blessed with children. From then onwards, he was compelled to find ways to earn a living and feed his family.

He learnt that Vijaya Nagar ruler Sri Krishna Deva Rayalu was a revered patron for poetry and poets besides being a scholar in Kannada, Andhra and Sanskrit languages on par. Every poet and scholar with some skill in the vast Vijaya Nagar empire was longing for getting into the Bhuvana Vijayam, the royal court of Rayalu. Tenali headed for Vijaya Nagar with a similar thought and wish in him.

First, he approached the royal priest Thathacharya and laid his heart before him, after exhibiting his skills. Thathacharya promised Tenali to introduce him to the King Rayalu. Satisfied Tenali spent many a days in vain, waiting for the opportunity.

Tenali was vexed and started hunting for alternative ways that would gain entry into the court. He then located Nandi Thimmana, another scholar who had a permanent place in the royal court. Tenali approached Thimmana and appeased him with his expertise in spontaneous poetry.

Thimmana felicitated Tenali by presenting him with a Kashmir Shawl, which was presented to him by King Rayalu the previous day for his performance.

The next day, Tenali adorning the Kashmiri Shawl on his shoulders walked into the royal court. King Rayalu was discussing various issues with the courtiers at that time. Rayalu was surprised to see a stranger in the Shawl that was presented to Thimmana couple of days before. A straight question came from the King Rayalu, “Where did you get this shawl?”

With all humbleness Tenali replied, “My King! Thimmana could have satisfied you with his proficiency. I was fortunate enough to please that great personality with my poetry. Thimmana, pleased with my expertise…” he continued, “presented me this shawl felicitating me at his residence. I am wearing this to exhibit my competence.”

Sri Krishna Deva Rayalu was impressed by the way Tenali presented himself in the court. The King also appreciated the intelligence and presence of mind Tenali had. Immediately Rayalu offered a position to Tenali in his court.

Thus was the entry of Tenali into Bhuvana Vijayam.
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Tenali Rama: Birth and Education

Posted by kathavarta on July 31, 2008

Bhuvana Vijayam, the royal court of Sri Krishna Deva Rayalu comprised of eight wise and learned men collectively titled as Ashta Diggajas. Tenali Ramalinga was prominently one among them. He was also known as Tenali Ramakrishna.

Tenali Ramalinga was known for his attentiveness, alertness, time tuning, wit, and intelligence. Tenali said to be hailing from Tenali town, set it as his surname. In the modern times, Tenali is in Guntur district of Andhra Pradesh on the banks of Holy River Krishna.

Tenali was popular as Vikatakavi. Right from his childhood, Tenali was centre of attraction among the children of his age groups in the region. His versatile mentality, intellect and aggressiveness brought him laurels and fame.

A Saint passing by, one day watched Tenali closely and could identify the ‘celestial spark’ shining from within him. The Saint, as he was in the devotional path, also recognised the inherent qualities of command and intelligence interlaced in Tenali.

The Saint called Tenali by name and asked him to accompany to a place. With the natural quality of fearlessness, Tenali accepted the invitation without even asking, “where to?” The Saint and Tenali walked little away from the crowd and reached Goddess Mahakali Temple in the woods.

Arranging to perform a divine sacrifice to please the Goddess Mahakali, the Saint told Tenali, “My dear child! I am growing old and gradually losing the physical strength to perform puja to seek the blessings of the Goddess Mother.

He continued, “You are having all the qualities and blessings of the Mother to please Her and receive Her blessings.” Preaching a mantra into Tenali’s ear the Saint said, “Chant this mantra continuously and pray the Goddess every evening. Put in all your concentration and strength to please the Goddess. Goddess Mahakali will shower many boons on you.”

After the sacrifice, the Saint left the place and never returned there. It had become a routine for Tenali to chant the mantra and pray the Goddess Mahakali every evening, at the designated Temple in the woods. Time passed by, and Tenali continued his prayers.

One day, Goddess Mahakali appeared in front of Tenali in the form of a Motherly figure. She was holding two small silver bowls in her palms. She started speaking to Tenali in a blissful tone, “My Child! I am pleased with the prayers you had been offering to me. I wish to bless you with a boon. You see the two utensils on my palms. One is filled with milk and the other with curd.” Tenali was looking at her with shining eyes.

Goddess continued, “If you consume the milk, you will be a great scholar. In case, you wish to take the curd, you will be blessed with riches for all your life. However, take caution. You should take only one of them.”

With a lightening speed, Tenali not bothered by the Goddess’ words grabbed both the bowls from Her hands and gulped down the contents. Goddess Mahakali was puzzled with his act. “What did you do?” She questioned him. Unmoved Tenali answered in a requesting tone, “ Hey Mother! Goddess Jaganmatha! What is the use of becoming a scholar without any wealth? Similarly, there will not be any purpose to the riches without intelligence. Hence, I thought I should have both of them and drank the contents of both the utensils. Kindly pardon me Mother, if I had done any mistake.”

Mother Mahakali was pleased with his frankness and analytical evaluation at that tender age. Imposing some sanctions, She blessed Tenali with two boons before She disappeared. She said, “You will have both intellect and wealth. There will be problems with the riches you gather by associating with the rulers. The poetry you author will be filled with uniqueness.”

Tenali was extremely happy over the happenings. He thought the boons were apt to his nature and versatile psychology.

There were many occasions wherein Tenali emerged as a centre of attraction with his versatile acts, wit, and humour filled conversations. Of course, sarcastic element was the prime composition of Tenali.
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What is Zen and Zen stories?

Posted by kathavarta on July 30, 2008

Zen, the Japanese translation for Chan, is a school of Mahayana Buddhism. The word Chan is itself derived from the Sanskrit Dhyaan, which means to contemplate deeply. Which refers to a specific type or aspect of meditation. The Sanskrit word is derived from the Indo-European root dheiə-, meaning “see, look”. While “Zen” is the name most often used in the English-speaking world, it is also known and pronounced as Chan in mainland China, Seon in Korea, and Thien in Vietnam and Dhyana in India.

Zen emphasizes dharma practice and experiential wisdom—particularly as realized in the form of meditation known as zazen—in the attainment of awakening. As such, it putatively de-emphasizes both theoretical knowledge and the study of religious texts in favor of direct, experiential realization.

The establishment of Chan (Zen) is traditionally credited to the Indian prince turned monk Bodhidharma who is recorded as having come to China to teach a “special transmission outside scriptures” which “did not stand upon words”. The emergence of Chan as a distinct school of Buddhism was first documented in China in the 7th century CE. It is thought to have developed as an amalgam of various currents in Mahayana Buddhist thought—among them the Yogacara and Madhyamaka philosophies and the Prajnaparamita literature—and of local traditions in China, particularly Taoism and Huayan Buddhism. From China, Chan subsequently spread southwards to Vietnam and eastwards to Korea and Japan. In the late 19th and early 20th centuries, Zen also began to establish a notable presence in North America and Europe.

Legendary origins
Within Zen, there are various legends and mythologies, largely a part of Chinese and Japanese folklore, which must be carefully distinguished from Zen history.

The Flower Sermon
The origins of Zen Buddhism are ascribed to the Flower Sermon, the earliest source for which comes from the 14th century. It is said that Gautama Buddha gathered his disciples one day for a dharma talk. When they gathered together, the Buddha was completely silent and some speculated that perhaps the Buddha was tired or ill. The Buddha silently held up a flower and several of his disciples tried to interpret what this meant, though none of them were correct. One of the Buddha’s disciples, Mahakasyapa, silently gazed at the flower and is said to have gained a special insight directly from the Buddha’s mind, beyond words. Mahakasyapa somehow understood the true inexpressible meaning of the flower and the Buddha smiled at him, then acknowledged Mahakasyapa’s insight by saying the following:

I possess the true Dharma eye, the marvelous mind of Nirvana, the true form of the formless, the subtle dharma gate that does not rest on words or letters but is a special transmission outside of the scriptures. This I entrust to Mahakasyapa.

Thus, through Zen there developed a way which concentrated on direct experience rather than on rational creeds or revealed scriptures. Wisdom was passed, not through words, but through a lineage of one-to-one direct transmission of thought from teacher to student. It is commonly taught that such lineage continued all the way from the Buddha’s time to the present. Historically, this claim is disputed, due to lack of evidence to support it. According to D.T. Suzuki, the idea of a line of descent from Gautama Buddha is a distinctive institution of Zen which he contends was invented by hagiographers to grant Zen legitimacy and prestige.

Bodhidharma
From Mahakasyapa through various other teachers and students, the dharma was eventually transmitted to the Indian monk, Bodhidharma. Several scholars have suggested that Bodhidharma as a person never actually existed, but was a combination of various historical figures over several centuries.

In the Song of Enlightenment (Zhengdao ge) of Yongjia Xuanjue (665-713)—one of the chief disciples of Huineng, the 6th patriarch of Chan Buddhism—it is written that Bodhidharma was the 28th patriarch in a line of descent from Mahakasyapa, a disciple of Sakyamuni Buddha, and the first patriarch of Chan Buddhism:

Mahakasyapa was the first, leading the line of transmission;
Twenty-eight Fathers followed him in the West;
The Lamp was then brought over the sea to this country;
And Bodhidharma became the First Father here:
His mantle, as we all know, passed over six Fathers,
And by them many minds came to see the Light

Bodhidharma is said to have spent several decades living in a cave, staring at a cave wall, meditating. He left India in 517 C.E. and arrived in China in 520 C.E., to spread Buddhism to Asia. When he got there, he found that Buddhism, which had already been established, was perverted by superstitious devotionalism, devoid of true insight. Thus, Bodhidharma focused on direct insight about one’s own experience, under the instruction of a Zen teacher, discouraging misguided veneration of Buddhas for the sake of superstition. Often attributed to Bodhidharma is the Bloodstream Sermon, which was actually composed quite some time after his apparent death.

Buddhas don’t save Buddhas. If you use your mind to look for a Buddha, you won’t see the Buddha. As long as you look for a Buddha: somewhere else, you’ll never see that your own mind is the Buddha. Don’t use a Buddha to worship a Buddha. And don’t use the mind to: invoke a Buddha. Buddhas don’t recite sutras. Buddhas don’t keep precepts. And Buddhas don’t break precepts. Buddhas don’t keep or: break anything. Buddhas don’t do good or evil.

To find a Buddha, you have to see your nature.

Another famous legend involving Bodhidharma is his meeting with Emperor Wu of Liang. Emperor Wu took an interest in Buddhism and spent a great deal of public wealth on funding Buddhist monasteries in China. When he had heard that a great Buddhist teacher, Bodhidharma, had come to China, he sought an audience with him. When they met, Emperor Wu had asked how much karmic merit he had gained from his noble support of Buddhism. Bodhidharma replied, “None at all.” The Emperor asked, “Then what is the truth of the teachings?” Bodhidharma replied, “Vast emptiness, nothing holy.” So the emperor asked, “Then who are you standing in front of me?” Bodhidharma replied, “I do not know,” and walked out.

Another legend involving Bodhidharma is that he visited the Shaolin Temple in the kingdom of Wei, at some point, and taught them a series of exercises which became the basis for the Shaolin martial arts.

Early history
As noted above, much of Zen history is combined with mythology and there no longer exist the historical record required for a complete, accurate account of early Zen history. Chan, as it is generally called when referencing Zen Buddhism in early China, developed from the interaction between Mahāyāna Buddhism and Taoism. Some scholars also argue that Chan has roots in yogic practices, specifically kammaṭṭhāna, the consideration of objects, and kasiṇa, total fixation of the mind.

The entry of Buddhism into China was marked by interaction and syncretism with Taoic faiths, Taoism in particular. Buddhist scriptures were translated into Chinese with Taoist vocabulary, because it was originally seen as a kind of foreign Taoism. In the Tang period, Taoism incorporated such Buddhist elements as monasteries, vegetarianism, prohibition of alcohol, the doctrine of emptiness, and collecting scripture into tripartite organisation. During the same time, Chan Buddhism grew to become the largest sect in Chinese Buddhism.

The establishment of Chan is traditionally credited to the Indian prince turned monk Bodhidharma (formerly dated ca 500 CE, but now ca early fifth century), who is recorded as having come to China to teach a “special transmission outside scriptures” which “did not stand upon words”. Bodhidharma settled in the kingdom of Wei where he took among his disciples Daoyu and Huike. Early on in China Bodhidharma’s teaching was referred to as the “One Vehicle sect of India”. The One Vehicle (Sanskrit Ekayana), also known as the Supreme Vehicle or the Buddha Vehicle, was taught in the Lankavatara Sutra which was closely associated with Bodhidharma. However, the label “One Vehicle sect” did not become widely used, and Bodhidharma’s teaching became known as the Chan sect for its primary focus on chan training and practice. Shortly before his death, Bodhidharma appointed Huike to succeed him, making Huike the first Chinese born patriarch and the second patriarch of Chan in China. Bodhidharma is said to have passed three items to Huike as a sign of transmission of the Dharma: a robe, a bowl, and a copy of the Lankavatara Sutra. The transmission then passed to the second patriarch (Huike), the third (Sengcan), the fourth patriarch (Dao Xin) and the fifth patriarch (Hongren).

The sixth and last patriarch, Huineng (638–713), was one of the giants of Chan history, and all surviving schools regard him as their ancestor. However, the dramatic story of Huineng’s life tells that there was a controversy over his claim to the title of patriarch. After being chosen by Hongren, the fifth patriarch, Huineng had to flee by night to Nanhua Temple in the south to avoid the wrath of Hongren’s jealous senior disciples. Later, in the middle of the 8th century, monks claiming to be among the successors to Huineng, calling themselves the Southern school, cast themselves in opposition to those claiming to succeed Hongren’s then publicly recognized student Shenxiu. It is commonly held that it is at this point—the debates between these rival factions—that Chan enters the realm of fully documented history. Aside from disagreements over the valid lineage, doctrinally the Southern school is associated with the teaching that enlightenment is sudden, while the Northern school is associated with the teaching that enlightenment is gradual. The Southern school eventually became predominant and their Northern school rivals died out. Modern scholarship, however, has questioned this narrative, since the only surviving records of this account were authored by members of the Southern school.

The following are the six Patriarchs of Chan in China as listed in traditional sources:
Bodhidharma: about 440 – about 528
Huike: 487 – 593
Sengcan: ? – 606
Daoxin: 580 – 651
Hongren: 601 – 674
Huineng: 638 – 713

The Five Houses of Zen
Developing primarily in the Tang dynasty in China, Classic Zen is traditionally divided historically into the Five Houses of Zen or five “schools”. These were not originally regarded as “schools” or “sects”, but historically, they have come to be understood that way. In their early history, the schools were not institutionalized, they were without dogma, and the teachers who founded them were not idolized.

The Five Houses of Zen are:

(1) Guiyang (Japan.,Igyo), named after masters Guishan Lingyou (Japan., Isan Reiy, 771-854) and Yangshan Huiji (Japan., Kyozan Ejaku, 813-890).(2) Linji (Japan., Rinzai), named after master Linji Yixuan (Japan., Rinzai Gigen, d. 866).

(3) Caodong (Japan., Soto), named after masters Dongshan Liangjie (Japan., Tozan Ryokai, 807-869) and Caoshan Benji (Japan., Sozan Honjaku, 840-901).

(4) Yunmen (Japan., Unmon), named after master Yunmen Wenyan (Japan., Unmon Bun’en, d. 949).

(5) Fayan (Japn., Hogen, named after master Fayan Wenyi (also Fa-yen Wen-i) (Japn., Hogen Mon’eki, 885-958).

Zen teachings and practices
Zen asserts, as do other schools in Mahayana Buddhism, that all sentient beings have Buddha-nature, the universal nature of inherent wisdom (Sanskrit prajna) and virtue, and emphasizes that Buddha-nature is nothing other than the nature of the mind itself. The aim of Zen practice is to discover this Buddha-nature within each person, through meditation and mindfulness of daily experiences. Zen practitioners believe that this provides new perspectives and insights on existence, which ultimately lead to enlightenment.

In distinction to many other Buddhist sects, Zen de-emphasizes reliance on religious texts and verbal discourse on metaphysical questions. Zen holds that these things lead the practitioner to seek external answers, rather than searching within their own minds for the direct intuitive apperception of Buddha-nature. This search within goes under various terms such as “introspection,” “a backward step,” “turning-about,” or “turning the eye inward.”

In this sense, Zen, as a means to deepen the practice and in contrast to many other religions, could be seen as fiercely anti-philosophical, iconoclastic, anti-prescriptive and anti-theoretical. The importance of Zen’s non-reliance on written words is often misunderstood as being against the use of words. However, Zen is deeply rooted in both the scriptural teachings of the Buddha Siddhartha Gautama and in Mahayana Buddhist thought and philosophy. What Zen emphasizes is that the awakening taught by the Buddha came through his meditation practice, not from any words that he read or discovered, and so it is primarily through meditation that others too may awaken to the same insights as the Buddha.

The teachings on the technique and practice of turning the eye inward are found in many suttas and sutras of Buddhist canons, but in its beginnings in China, Zen primarily referred to the Mahayana Sutras and especially to the Lankavatara Sutra. Ironically, since Bodhidharma taught the turning-about techniques of dhyana with reference to the Lankavatara Sutra, the Zen school was initially identified with that sutra. It was in part through reaction to such limiting identification with one text that Chinese Zen cultivated its famous non-reliance on written words and independence of any one scripture. However, a review of the teachings of the early Zen masters clearly reveals that they were all well versed in various scriptures. For example, in The Platform Sutra of the Sixth ancestor and founder Huineng, this famously “illiterate” Zen master cites and explains the Diamond Sutra, the Lotus Sutra, the Vimalakirti Sutra, the Shurangama Sutra, and the Lankavatara Sutra.

When Buddhism came to China the doctrine of the three core practices or trainings, the training in virtue and discipline in the precepts (Sanskrit Sila), the training in mind through meditation (dhyana or jhana) sometimes called concentration (samadhi), and the training in discernment and wisdom (prajna), was already established in the Pali canon. In this context, as Buddhism became adapted to Chinese culture, three types of teachers with expertise in each training practice developed. Vinaya masters were versed in all the rules of discipline for monks and nuns. Dhyana masters were versed in the practice of meditation. And Dharma, the teaching or sutra, masters were versed in the Buddhist texts. Monasteries and practice centers were created that tended to focus on either the vinaya and training of monks or the teachings focused on one scripture or a small group of texts. Dhyana or Chan masters tended to practice in solitary hermitages or to be associated with the Vinaya training monasteries or sutra teaching centers.

After Bodhidharma’s arrival in the late fifth century, the subsequent dhyana-chan masters who were associated with his teaching line consolidated around the practice of meditation and the feeling that mere observance of the rules of discipline or the intellectual teachings of the scriptures did not emphasize enough the actual practice and personal experience of the Buddha’s meditation that led to the Buddha’s awakening. Awakening like the Buddha, and not merely following rules or memorizing texts became the watchword of the dhyana-chan practitioners. Within 200 years after Bodhidharma at the beginning of the Tang Dynasty, by the time of the fifth generation Chan ancestor and founder Daman Hongren (601-674), the Zen of Bodhidharma’s successors had become well established as a separate school of Buddhism and the true Zen school.

The core of Zen practice is seated meditation, widely known by its Japanese name zazen, and recalls both the posture in which the Buddha is said to have achieved enlightenment under the Bodhi tree at Bodh Gaya, and the elements of mindfulness and concentration which are part of the Eightfold Path as taught by the Buddha. All of the Buddha’s fundamental teachings—among them the Eightfold Path, the Four Noble Truths, the idea of dependent origination, the five precepts, the five aggregates, and the three marks of existence—also make up important elements of the perspective that Zen takes for its practice. While Buddhists generally revere certain places as a Bodhimandala (circle or place of enlightenment) in Zen wherever one sits in true meditation is said to be a Bodhimandala.

Additionally, as a development of Mahayana Buddhism, Zen draws many of its basic driving concepts, particularly the bodhisattva ideal, from that school. Uniquely Mahayana figures such as Guanyin, Manjusri, Samantabhadra, and Amitabha are venerated alongside the historical Buddha. Despite Zen’s emphasis on transmission independent of scriptures, it has drawn heavily on the Mahayana sutras, particularly the Heart of Perfect Wisdom Sūtra, Hredaya Pranyaparamita the Sutra of the Perfection of Wisdom of the Diamond that Cuts through Illusion, The Vajrachedika Pranyaparamita the Lankavatara Sutra, and the “Samantamukha Parivarta” section of the Lotus Sutra.

Zen has also itself paradoxically produced a rich corpus of written literature which has become a part of its practice and teaching. Among the earliest and most widely studied of the specifically Zen texts, dating back to at least the 9th century CE, is the Platform Sutra of the Sixth Patriarch, sometimes attributed to Huineng. Others include the various collections of koans and the Shobogenzo of Dogen Zenji.

Zen training emphasizes daily practice, along with intensive periods of meditation. Practicing with others is considered an important part of Zen practice. D.T. Suzuki wrote that aspects of this life are: a life of humility; a life of labor; a life of service; a life of prayer and gratitude; and a life of meditation. The Chinese Chan master Baizhang (720–814 CE) left behind a famous saying which had been the guiding principle of his life, “A day without work is a day without food.

101 Zen Stories:
It is a 1919 compilation of Zen koans including 19th and early 20th century anecdotes, and Collection of Stone and Sand, written in the 13th century by Japanese Zen master Muju (literally, “non-dweller”). The book is transcribed by Paul Reps and Nyogen Senzaki in Zen Flesh, Zen Bones. Well-known koans in the collection include A Cup of Tea (1), The Sound of One Hand (21), No Water, No Moon (29), and Everything is Best (31).
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Who is Tenali Rama?

Posted by kathavarta on July 30, 2008

Tenali Ramakrishna, popularly known as Tenali Rama and Vikata Kavi, was a court-poet of the Vijaya Nagar Empire in the 16th century CE. The Vijaya Nagar Empire has a prominent place in the pre-independence period of the Indian sub-continent. Sri Krishna Deva Rayalu or Krishnadeva Raya, among the rulers of the Vijaya Nagar Kingdom, has transformed his regime into a Golden Era for the history books. Tenali, one of the Ashtadiggajas who were patrons of Krishna Deva Rayalu and is also referred to as Tenali Raman in some parts of South India.

The historians and chroniclers found a synonymity between Akbar – Birbal and Rayalu – Ramalinga. However, despite the commonness among the two combinations, a small line distincts Birbal and Ramalinga. While Birbal was famous for his delicate and involving humour, Ramalinga was stern and sarcastic in his wit to puncture the shields of proudness the others had.

What is Ashtadiggajas:
Astadiggajas (Elephants taking care of all the eight sides) is the collective title given to the eight telugu poets in the court of the emperor Sri Krishnadevaraya who ruled the Vijayanagara empire from 1509 until his death in 1529. During his reign, Telugu literature and culture reached zenith. In his court, eight poets were regarded as the eight pillars of his literary assembly. The age of Astadiggajas is called Prabhanda Age (1540 AD to 1600). All of the Astadiggajalu had composed at least one Prabandha Kavyamu and it Astadiggajalu who gave Prabhanda its present form. Most of the Astadiggajas are from southern part of present day Andhra Pradesh state (Rayalaseema, Nellore) and Astadiggajas, Allasani Peddana, Dhurjati, Nandi Thimmana, Madayyagari Mallana and Ayyalaraju Ramabhadrudu are from the Rayalaseema region.

Etymology
The title Ashtadiggajas (Ashta + dik + gaja) means elephants in eight directions. It refers to the old Hindu belief that eight elephants hold the earth in eight directions which are namely Airaavana, Pundareeka, Vaamana, Kumuda, Anjana, Pushpadanta, Sarwabhouma, Suprateeka. whose wives are Abhra, Kapila, Pingala, Anupama, Taamraparni, Subhradanti, Angana, Anjanaavati. The court of poets were also called Bhuvana Vijayam (Conquest of the World).

Ashta (Eight) Members
These poets were (1) Allasani Peddana, (2) Nandi Thimmana, (3) Madayyagari Mallana, (4) Dhurjati, (5) Ayyalaraju Ramambhadrudu, (6) Pingali Surana, (7) Ramarajabhushanudu, and (8) Tenali Ramakrishnudu. The most famous being Allasani Peddana honoured with the title Andhrakavitapitamaha (father of Telugu poetry) and Tenali Ramakrishna, Krishnadevaraya’s court jester who authored several acclaimed works.

Differences in research
Though the above list of eight poets is widely regarded as the Ashtadiggajas, there are some differences of opinion as to who exactly constituted the Ashtadiggajas and if the composition of this body changed over time. Some literary works mention the name of BhattuMurthi in place of Ramarajabhushanudu and some accounts mention Pingali Surana and Tenali Ramakrishna also as members of the later kings. From the stone inscriptions of that time, it has been inferred that the village of Thippalur in the present-day Cuddapah district has been gifted to the Ashtadiggajas by the king.

Ashtadiggajas’s works
Allasani Peddana wrote Manucharitramu and dedicated to the king Krishnadevaraya. Nandi Thimmana wrote parijataapaharanam and dedicated it to the king as well. Madayyagari Mallana wrote Rajasekhara Charitramu. Dhurjati wrote Kalahasti Mahatyamu. Ayyalaraju Ramabhadrudu wrote Ramaabhyudayamu. Pingali Surana wrote Raghavapandaveeyamu, a dual work that describes both Ramayana and Mahabharata. Ramarajabhushanudu wrote Kavyalankarasangrahamu, Vasucharitramu and Harischandranalopakhyanamu. Tenali Ramakrishna wrote Udbhataradhya Charitramu, Panduranga Mahatmyamu and “Ghatikachala Mahatmyamu.”

Literary Style
Telugu literature reached its peak during their period. A new style called Prabhanda with added fiction and few omissions from the original stories were followed during this period. Poets in earlier century like Tikkana and Potana translated the Sanskrit books and epics without changing the stories from original. Ashtadiggajas usually took small, some times obscure, stories from Puranas and used them as plots for writing major kavyas. A Prabhandam can be of three types, viz., Prakhyatam, Utpadyam, Misramam (famous story, purely fictional story, mixed story). Ashtadiggajas have written in all the three genres during the Prabhanda yugam.

There are also at least two dual meaning works during this time. Ramabhyudayam by Pingali Surana simultaneously runs the stories of Rama and Pandavas. Harischandranalopakhyanamu by Bhattumurthy also simultaneously tells the stories of the kings Harischandra and Nala.

The historians and chroniclers found a synonymity between Akbar – Birbal and Rayalu – Ramalinga. However, despite the commonness among the two combinations, a small line distincts Birbal and Ramalinga. While Birbal was famous for his delicate and involving humour, Ramalinga was stern and sarcastic in his wit to puncture the shields of proudness the others had.

Rayalu’s court known as ‘Bhuvana Vijayam’ (Global Victor) was strongly upheld by eight poets called “Ashta Diggajas” (Elephants taking care of all the eight sides). Those eight’s combination was the strongest ever and was invincible for any scholar or Master of Arts and Sciences during those days. Tenali Ramalinga shined among the eight as a precious diamond in the diamond studded crown.

Tenali’s Biography:
His family had originally hailed from Tumuluru near Tenali in Guntur District. Tenali is an important town in Coastal Andhra Pradesh’s Guntur District. Tenali is also famous as “Andhra Paris.” He was also known as Tenali Ramalinga, a Shaiva name. It is believed that he later converted to Vaishnavism.

Some scholars dispute whether that he was a contemporary of Krishna Deva Rayalu. Tenali Ramakrishna’s most famous work, Panduranga Mahatyam, is dedicated to Krishna Deva Rayalu’s grandson; it is therefore possible that he was only a boy poet during the reign of Krishna Deva Rayalu (1509-1529). He was known for wit and a large volume of poetry written in the Telugu language.

Tenali’s works:
Scholars treat his famous work Panduranga Mahatyam as one among the Pancha Kavyas, the five great books of Telugu Literature. He has dedicated Panduranga Mahatyam to Viruri Vedadri. This book is about the Pundarika Kshetram on the banks of river Bhaimi and its legend. He also composed Udbhataradhya Charitram on the story of Udbhata, a monk, as well as Ghatikachala Mahatyam about Ghatikachalam, a place of worship for God Narashimha near Vellore, Tamil Nadu, India.

Tenali’s Style:
He followed the Prabhanda style. He took the theme for Panduranga Mahatyam from the Skanda Purana and enhanced it with many stories about the devotees of God Vittala.

He is noted for brilliance and wit and for mocking other poets and great personalities. He created a celebrated character called Nigama Sarma akka (sister of Nigama Sarma) and a story around her without giving her a name. He also had written many Chatuvu (extempore poems).

Tenali’s Titles:
::- He was called a vikata kavi (a palindrome in Telugu script) means clown-jester-poet.
::- Kumara Bharathi

The records also state that Ramalinga was instrumental in protecting the King Rayalu and his prestige many a time, coming to his rescue in critical situations. A popular story among the commoners narrates how Ramalinga protected the Vijaya Nagar Empire from getting into the clutches of Delhi Sultans through his timely wit interlaced with a perfect strategy.

The most popular stories about the lifestyle, combination, and co-ordination of Rayalu and Ramalinga spread the message of intellect, time tuning, and strategic stroking besides lively wit and humour.

KathaVarta is attempting to present some of the selectively collected stories for world readers to hold their bellies before they read the laughing gas about the ‘activities’ of Ramalinga in and out of the royal court of Rayalu.

Courtesy: www.wikipedia.org and www.tenaliramalinga.com
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The Dog in the Manger: 2

Posted by kathavarta on July 29, 2008

A Dog looking out for its afternoon nap jumped into the Manger of an Ox and lay there cosily upon the straw.

But soon the Ox, returning from its afternoon work, came up to the Manger and wanted to eat some of the straw.

The Dog in a rage, being awakened from its slumber, stood up and barked at the Ox, and whenever it came near attempted to bite it.

At last the Ox had to give up the hope of getting at the straw, and went away muttering:

Moral:
Ah, people often grudge others what they cannot enjoy themselves.
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The Dog in the Manger: 1

Posted by kathavarta on July 29, 2008

A Dog lay in a manger, and by his growling and snapping prevented the oxen from eating the hay which had been placed for them.

“What a selfish Dog!” said one of them to his companions; “he cannot eat the hay himself, and yet refuses to allow those to eat who can.”

Moral:
Some begrudge others what they cannot enjoy themselves.
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